Production was handled by Ocean himself, alongside a variety of high-profile record producers, including Malay and Om'Mas Keith, who collaborated with Ocean on Channel Orange, as well as James Blake, Jon Brion, Buddy Ross, Pharrell Williams, and Rostam Batmanglij, among others. In 2013, Ocean confirmed that his follow up to Channel Orange would be another concept album. Initially known as Boys Don't Cry and teased for a July 2015 release, the album suffered several delays and was the subject of widespread media anticipation leading up to its release. Its physical release was accompanied by a magazine entitled Boys Don't Cry.īlonde features an abstract and experimental sound in comparison to Ocean's previous releases, encompassing styles such as R&B, pop, soul, indie rock, electronica, psychedelia, and hip hop.īeginning in 2013 and ending in 2016, recording for the album took place at New York's Electric Lady Studios and, after a period of writer's block, in London at Abbey Road Studios and in Los Angeles' Henson Recording Studios. Ocean also notably makes use of pitch shifted vocals. The Beach Boys' de facto leader Brian Wilson is recognized as a strong influence on the album's lush arrangements and layered vocal harmonies, while the guitar and keyboard rhythms on the album are considered as languid and minimal. The album's themes surrounds Ocean dealing with his masculinity and emotions, inspired by sexual experiences, heartbreak, loss and trauma.īlonde received widespread acclaim, with critics praising Ocean's introspective lyrics and the album's unconventional and progressive sounds. Critics also complimented the album for challenging the conventions of R&B and pop music.
Supported by its lead single " Nikes", the album debuted at number one in several countries, including the United States. It earned first week sales of 275,000 with album-equivalent units in the US, with 232,000 being pure sales, and was certified platinum by the Recording Industry Association of America (RIAA). Among other publications, Time named it the best album of 2016. Metacritic named it the third most critically acclaimed album of the year by music publications.
In 2020, Pitchfork named it the best album of the 2010s and Rolling Stone ranked it at number 79 on their updated list of the 500 Greatest Albums of All Time.
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